Home  ›  Mamma Mia Here We Go Again Features Somgs From

Mamma Mia Here We Go Again Features Somgs From

Written By Monday, April 4, 2022 Add Comment Edit

Musical based on the songs of ABBA

Mamma Mia!
Mammamiaposter.jpg

West Finish promotional poster
Music Benny Andersson
Björn Ulvaeus
Lyrics Benny Andersson
Björn Ulvaeus
Book Catherine Johnson
Basis Songs
by ABBA
Premiere Apr 6, 1999: Prince Edward Theatre, London
Productions 1999 West Finish
2000 US tour
2001 Broadway
2002 N America tour
2016 U.k. tour
2016 Due north America tour
2019 United kingdom of great britain and northern ireland bout

Mamma Mia! (promoted as Benny Andersson & Björn Ulvaeus' Mamma Mia! ) is a jukebox musical written by British playwright Catherine Johnson, based on the songs of ABBA equanimous by Benny Andersson and Björn Ulvaeus, members of the band. The title of the musical is taken from the grouping's 1975 chart-topper "Mamma Mia". Ulvaeus and Andersson, who composed the original music for ABBA, were involved in the development of the show from the starting time. Singer Anni-Frid Lyngstad was involved financially in the product and she was also present at many of the premieres around the world.

The musical includes such hits as "Super Trouper", "Lay All Your Dear on Me", "Dancing Queen", "Knowing Me, Knowing You", "Have a Gamble on Me", "Thanks for the Music", "Money, Coin, Coin", "The Winner Takes It All", "Voulez-Vous", "SOS" and "Mamma Mia". Over 65 million people accept seen the prove, which has grossed $4 billion worldwide since its 1999 debut.[1] A picture adaptation starring Meryl Streep, Colin Firth, Pierce Brosnan, Amanda Seyfried, Christine Baranski, Stellan Skarsgård and Julie Walters was released in 2008.

Every bit of 2020, the show has productions in London'southward W End, where it is the sixth longest-running testify in West End history,[2] too equally diverse international productions. Its Broadway incarnation closed on September 12, 2015, later a 14-year run, making it the ninth longest-running show in Broadway history.

Groundwork [edit]

The original abode of Mamma Mia! The Prince Edward Theatre

Mamma Mia! is based on the songs of ABBA, a Swedish popular/dance grouping active from 1972 to 1982 and ane of the most popular international pop groups of all fourth dimension, topping the charts again and again in Europe, North and Southward America and Commonwealth of australia. Following the premiere of the musical in London in 1999, ABBA Gold topped the charts in the United Kingdom again. This musical was the brainchild of producer Judy Craymer. She met songwriters Björn Ulvaeus and Benny Andersson in 1983 when they were working with Tim Rice on Chess.[iii] Information technology was the song "The Winner Takes It All" that suggested to her the theatrical potential of their popular songs.[three] The songwriters were not enthusiastic, simply they were not completely opposed to the thought.[3]

In 1997, Craymer commissioned Catherine Johnson to write the book for the musical. In 1998, Phyllida Lloyd became the manager for the show.[3]

Diverse reviewers have noted a similarity in the plot between Mamma Mia and the 1968 film Buona Sera, Mrs. Campbell, previously adapted equally the 1979 musical Carmelina, which is as well well-nigh a adult female who does not know which of three men is the father of her daughter, at present a young adult female.[4] Some have even claimed that Mamma Mia is officially based on the 1968 film.[v] Critic John Simon speculated that Mamma Mia is gear up in Greece and not Italy (which might have fit in improve with the musical's championship) in order to make the connection to the pic less obvious.[6] Even so, Johnson has denied being inspired by Buona Sera, Mrs. Campbell.[6]

Productions [edit]

Original West Terminate production [edit]

The musical opened in the Westward Cease at the Prince Edward Theatre on April vi, 1999, and transferred to the Prince of Wales Theatre on June 9, 2004, where it played until September 2012, when it moved to the Novello Theatre.[vii] Directed past Phyllida Lloyd with choreography by Anthony Van Laast, the original bandage featured Siobhan McCarthy, Lisa Stokke, and Hilton McRae.[8] [9]

The testify closed in March 2020 due to the COVID-xix pandemic in the Britain, and reopened at the Novello Theatre on 25 Baronial 2021.[ten] [xi]

Original Broadway and U.S. productions [edit]

Prior to the musical's Broadway engagement, it opened in Toronto at the Majestic Alexandra Theatre in May 2000, where it played for five years. Its U.s.a. debut was in San Francisco, California, at the Orpheum Theatre from Nov 17, 2000 to February 17, 2001,[12] [13] moving adjacent to Los Angeles, California, at the Shubert Theatre from February 26, 2001 to May 12, 2001,[xiv] and finally to Chicago, Illinois, at the Cadillac Palace Theatre from May xiii, 2001 to August 12, 2001.[15]

New York City run [edit]

The musical opened on Broadway at the Wintertime Garden Theatre on October eighteen, 2001, subsequently beginning previews on Oct v. The director is Phyllida Lloyd with choreography by Anthony Van Laast. Every bit of October 2017, it is the ninth longest-running Broadway evidence and the longest-running jukebox musical in Broadway history. On April 18, 2013, it was announced that Mamma Mia! would transfer from its home at the Winter Garden Theatre to the Broadhurst Theatre subsequently that twelvemonth to make mode for the musical adaptation of Rocky.[xvi] The show played its final performance at the Wintertime Garden Theatre on October nineteen, 2013 and began performances at the Broadhurst Theatre on November 2, 2013.[17]

Information technology was announced on April ix, 2015 that the bear witness would close on September 5, 2015.[18] On April 21, 2015, it was then announced that the show would play an additional week and would instead close on September 12, 2015. Mamma Mia! played 5,773 performances on Broadway before closing.[xix]

International and touring productions [edit]

Mamma Mia! has been played in more fifty countries in all 6 continents, including Argentina, Commonwealth of australia, Austria, Kingdom of belgium, Brazil, Bulgaria, Canada, Chile, China, Colombia, Croatia, Czech Republic, Kingdom of denmark, Dominican Republic, Germany, Estonia, Republic of finland, France, Hellenic republic, Hungary, Iceland, Indonesia, Ireland, Israel, Italy, Japan, Hashemite kingdom of jordan, Latvia, Lituania, Malaysia, Republic of malta, Mexico, Monaco, Netherlands, New Zealand, Norway, Panama, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russian federation, Serbia, Singapore, Slovakia, Slovenia, South Africa, Republic of korea, Kingdom of spain, Sri Lanka, Sweden, Switzerland, Taiwan, Thailand, Turkey, United Arab Emirates, Britain, and United States, and has been translated into multiple languages. Over 65 million people have seen the show worldwide and it has gear up the tape for premiering in more cities faster than any other musical in history.

The kickoff city to produce the evidence after London was Toronto, where it ran from May 23, 2000 to May 22, 2005, beingness the N America premiere of Mamma Mia!. The original cast included Louise Pitre as Donna and Tina Maddigan every bit Sophie, who both of them later reprised their roles in first US Tour and Broadway premiere.[20] [21]

Mamma Mia! played in Las Vegas, opening at the Mandalay Bay in February 2003 and closing on January 4, 2009.[22] [23] In June 2005, Mamma Mia! played its 1000th performance in Las Vegas, becoming the longest-running W End/Broadway musical in Las Vegas. The apparel and scenarios from this production are now used in Brazil.[24] The bear witness returned to Las Vegas on May 16, 2014 at the Tropicana Hotel & Casino, but announced its closing presently afterwards on July 22.[25]

The start North American tour started in San Francisco, California, on November fifteen, 2000, and closed in Boston, Massachusetts, on August 29, 2004.[26] A second national tour opened in Providence, Rhode Island on Feb 26, 2002, and closed in Appleton, Wisconsin on Baronial 26, 2012.[27] This was followed past a non-Equity tour that opened in Orange, Texas on September 28, 2016,[28] and closed in St. Louis, Missouri on July 30, 2017.[29]

The offset non-English language version of the bear witness debuted in Hamburg at the Operettenhaus, where information technology ran from November iii, 2002 to September viii, 2007. With the productions of Stuttgart (2004) and Essen (2007), Mamma Mia! became the beginning major musical to play concurrently in three German cities.

The show has had (and in some cases, still has) permanent productions in London, Toronto, Melbourne, New York, Hamburg, Tokyo (later on transferred to Osaka, Fukuoka and Nagoya), Las Vegas, Utrecht, Seoul (after transferred to Seongnam and Daegu), Stuttgart, Madrid (later on transferred to Barcelona), Stockholm (later transferred to Gothenburg), Antwerp, Moscow, Essen, Berlin, Oslo, United mexican states City, Milan (subsequently transferred to Rome), Copenhagen (afterward transferred to Aarhus), Paris, São Paulo, Shanghai, Buenos Aires, Vienna and Helsinki.

Mamma Mia! in Paris, France

Since its premiere in Dublin on September ix, 2004 (with Helen Hobson as Donna) the international bout been seen past five million people. In addition at that place have been several touring productions worldwide, including Australia/Asia (2002–2005), Commonwealth of australia (2009–2010), People's republic of china (2011-2012, 2013-2014, and 2018), France (2012–2013), Deutschland, Nihon, Netherlands (2009–2010), Spain (2009–2011 and 2016–2017), South Africa (2010–2011), South Korea, Uk (2016–2018 and 2019-2021), and Denmark (2020).

The Dutch actress Lone van Roosendaal has played Donna in iii different countries: Netherlands, Belgium and Deutschland.

Mamma Mia! Chinese product

In the Original Danish Tivoli Copenhagen Cast it was really Kristine Yde Eriksen as Sophie and Nadia Barbara Abrahamsen as Ali. Merely when the production moved to Aarhus Stine Louise Henriksen took over for Kristine Yde Eriksen as Sophie and Nadin Reiness took over for Nadia Barbara Abrahamsen equally Ali. Stine Louise Henriksen was actually Kristine'southward understudy in Tivoli, Copenhagen and so was Nadin Reiness for Nadia.

The South African tour, conducted at the Artscape Theatre in Greatcoat Town on Baronial 11, 2010 and 3 months later at The Teatro, Montecasino in Johannesburg, featured an all local cast.

The first Chinese production opened on July 11, 2011 at the Shanghai Grand Theatre and closed on January 18, 2012 at Shanghai Cultural Square after a small bout, marking the get-go time that a blockbuster contemporary Western musical were presented in Mandarin in Shanghai (there was a previous Standard mandarin production of Dazzler and the Animate being in Beijing in 1999). It was seen past 250,000 people across six venues, with a full of 190 performances. Two Chinese actresses, Tian Shui, and Shadow Zhang both played the role of Donna in plough. In the following years, the production toured around Red china from time to time, performing 100~150 shows per year, until 2017. A revival of this production is now touring in China once more, with the role of Donna played past Adia Chan Chung Ling, a Hong Kong TV/film star and popular vocalist famous in 1980~xc'.

On January 24, 2012, Mamma Mia! opened in Manila at the Main Theater of the Cultural Center of the Philippines as function of the international Tour. The testify was originally set to stay only for a week just with the positive response, the organisers decided that it would play until February nineteen, 2012.[30] The bear witness features Sara Poyzer as Donna Sheridan and Charlotte Wakefield equally Sophie. The cast also included Kate Graham (Tanya), Jenny Dale (Rosie) and David Roberts (Sky).[31]

A New Zealand tour production of Mamma Mia! opened at the Auckland Civic Theatre on March 4, 2014, featuring an all new set up design past John Harding. International theatre star Deliah Hannah played Donna, and pop New Zealand entertainment icon Jackie Clark plays Rosie. The NZ tour visited 11 cities in 2014–2016.

The musical was originally performed on sailings of Royal Caribbean area's Quantum of the Seas but was afterwards moved to Allure of the Seas. Unlike other cruise transport performances of musicals, the prove is performed in its entirety.

In Prague, the upper-case letter of the Czech Commonwealth, the musical had its premiere on December 12, 2014. Czech is the seventeenth language in which the musical was performed. At the appointment of the premiere a record seventy,000 tickets were sold.[32]

On February 21, 2015, the musical premiered in Warsaw, Poland at Roma Musical Theatre.[33]

The Belgrade, Serbia – Terazije Theatre (Pozorište na Terazijama) premiere was on March 27, 2015.[34] [35]

On June 15, 2015 in Ljubljana, the capital of Slovenia, premiere of Slovene production took place in Križanke Outdoor Theatre as a function of Ljubljana Summer Festival (Poletni festival Ljubljana).[36]

On March 18, 2016, Mamma Mia! opened for the first time in Panama City, Panama, at the Anayansi Theatre in the Atlapa Convention Centre, directed by Aaron Zebede.[37]

On May 27, 2016 the get-go regional production opened at the Barter Theatre in Abingdon, Virginia.

On 31 August 2016, it was announced that the musical would once again bout Australia every bit a new, non-replica production to be directed by Gary Immature. The premier was held in Canberra in November 2017 earlier continuing on a 1-twelvemonth national tour to Brisbane, Sydney, Perth, Melbourne and finally Adelaide.[38] The cast included Sarah Morrison as Sophie, Natalie O'Donnell equally Donna, Jayde Westaby every bit Tanya, Alicia Gardiner as Rose, Ian Stenlake equally Sam, Phillip Lowe every bit Harry, Josef Ber as Bill and Stephen Mahy every bit Sky.[39] The product was nominated for the post-obit Helpmann Awards: All-time Musical, Best Choreography (Tom Hodgson), Best Actress (Natalie O'Donnell) and Best Role player (Ian Stenlake).[40]

On 26 Nov 2016, the musical opened at the theatre Vanemuine in Tartu, Estonia. The original Estonian cast included Birgit Sarrap every bit Sophie, Ele Millistfer and Merle Jalakas as Donna, Kaire Vilgats equally Rosie and Kaarel Targo every bit Heaven among others. Equally of April 2019, the show keeps playing open end for high public demand.

From July 28, 2017 to July xxx, 2017, Mamma Mia! was performed at the Hollywood Bowl. Directed and choreographed by Kathleen Marshall, the show starred Jennifer Nettles equally Donna, Dove Cameron as Sophie, Corbin Bleu as Heaven, Jaime Camil equally Sam, Tisha Campbell-Martin as Tanya, and Lea Delaria equally Rosie.[41]

Nová scéna Theatre in Bratislava, Slovakia opened on November xi, 2017 for the first time in Slovak. In Slovakia were formerly performed Czech and original version.[42]

A Finnish-language production premiered at the Messukeskus Helsinki in Helsinki, Finland on May 4, 2018.[43]

A Bulgarian product opened on July 18, 2018 at the National opera and ballet in Sofia. There will be other shows on July 19, 20, 21, and 22, 2018.

A revival of the Dutch production premiered at the Beatrix Theater Utrecht in Utrecht, Netherlands on vi September 2018.[44]

A production of the musical past Due east West Players (EWP) in Los Angeles from May to June 2019 featured a cast with all artists of colour, a majority of them Asian-Pacific Islander.[45] The production made several allusions to Filipino culture (every bit this rendition of Donna and Sophie are a Filipina family unit living abroad), including Tagalog phrases, the tinikling folk dance, and traditional Filipino fashion[46] The production was lauded for its inclusive casting decisions[47] as well as its authentic portrayal of Filipino culture.[46]

In 2019 a Great britain and International bout will run into 2020 starting at the Edinburgh Playhouse in September 2019 earlier heading to La Seine Musicale in October, The Bradford Alhambra Theatre in November, Bord Gais Energy Theatre in Dublin over the Christmas and new year flow before continuing on the 22nd January 2020 at the Theatre Majestic Newcastle before continuing to the Southampton Mayflower Theatre, Hull New Theatre, Liverpool Empire Theatre, Birmingham Hippodrome, Bristol Hippodrome and finishing in August at the Theatre Purple Plymouth. More dates are to be added.[48]

Synopsis [edit]

Before the curtain rises, the orchestra starts playing the overture, which is a montage of instrumental versions of some of Abba's hit songs.

Act I [edit]

On the fictional Greek island of Kalokairi, 20-year-old Sophie is preparing to ally her fiancé, Sky. She wants her father to walk her down the aisle ("Prologue") but doesn't know who he is. Sophie discovers her mother's old diary and finds entries which describe intimate dates with three men; Sam Carmichael, Bill Austin and Harry Bright ("Love, Honey"). Sophie believes i of these men is her male parent and, iii months earlier her nuptials, sends each an invitation to her nuptials, writing in her female parent's name, Donna, without letting her unsuspecting mother know. All iii men accept. The day earlier her wedding ceremony, she confides all of this to her two bridesmaids and best friends, Ali and Lisa.

Mamma Mia! picture 02.jpg

Donna begins receiving guests at her taverna. The start to arrive are her long-time all-time friends, Tanya, a rich woman who has been married and divorced iii times, and Rosie, an unmarried, carefree woman. The trio used to comprise a girl grouping chosen "Donna and the Dynamos". The three women grab upwards and talk about their lives. Donna laments about the struggles of running the taverna singlehandedly, with minimum assist from Sophie's fiancé Sky and his two buddies, Pepper and Eddie. ("Money, Money, Money").

Later that day, Sophie'southward three possible fathers make it: Sam (an American architect), Harry (a British banker), and Nib (an Australian, originally a author and adventurer, and currently in New York and on tour). Sophie convinces them not to tell Donna that she invited them ("Thanks for the Music"). Donna is surprised to see her ex-lovers ("Mamma Mia") and leaves in tears. Donna, crying, explains to Tanya and Rosie the state of affairs, and they cheer her upward ("Chiquitita"). Tanya and Rosie effort to convince Donna that she tin can still be the girl she once was ("Dancing Queen").

Sophie had hoped she would know her father the moment she saw him merely is now but dislocated. She tries to tell Heaven how she feels without confessing what she has washed. Sky tells her he will be the merely homo she ever needs, correct before his buddies ambush him and take him to their available political party, which includes scuba diving to an old shipwreck in search of a pearl necklace. ("Lay All Your Beloved on Me").

At Sophie'due south hen party, Donna and the Dynamos don their one-time costumes and perform a vocal, ("Super Trouper"). Sam, Nib, and Harry accidentally walk in on the political party, and the guests persuade them to stay ("Gimme! Gimme! Gimme! (A Homo After Midnight)").

Sophie beginning pulls Sam out of the room to talk to him. After he asks why he is there, she is overcome with guilt and goes to talk to Harry, instead. Just Harry asks if Sophie'south father is at the party, and she tells him the whole truth.

Lastly, she draws Nib bated to talk with him. She learns that Nib has an aunt Sophia who left all her coin to Donna'due south family unit. Nib learns that Donna built the taverna with money she inherited from a friend she lived with when Sophie was a baby; that friend was Pecker's aunt. They both think this ways he is her father.

Sophie asks Bill to walk her down the aisle, simply Bill wants to discuss it first with Donna. This has been her secret, after all. Simply no one knows all the same that fifty-fifty Donna doesn't know who the father is, considering she slept with the 3 men in such swift succession. Sophie insists they mustn't tell Donna anything ("The Name of the Game") and finally, Beak agrees.

After, everybody crashes the hen party (including the guys from the stag party), where Sky gives Sophie the necklace from the shipwreck. During the party, Sam pulls Sophie aside and tells her he has figured out why she invited him. He knows he is her male parent and promises to walk her down the alley the adjacent day. And so, Harry approaches Sophie, apologizing for being so slow on the uptake; he is also convinced that she is his daughter and promises to walk her down the aisle. Sophie leaves the party, hopelessly confused; she doesn't want to plow any of them downward ("Voulez-Vous").

Deed 2 [edit]

Mamma Mia! at Broadway On Broadway

(Entr'acte) Sophie'due south having a nightmare, involving her 3 possible fathers all fighting for the right to walk her down the aisle and wakes up despairing ("Under Attack").

Sophie's upset, and Donna assumes that Sophie wants to cancel the hymeneals and offers to handle all the details. Sophie's offended and vows that her children won't grow up not knowing who their begetter is. As Sophie storms out of the room, Sam enters and tries to tell Donna that Sophie may non be all she seems, simply Donna won't heed ("One of Us"). She hates Sam; at the cease of their thing, she said she never wanted to see him over again. But it seems that Sam was the man Donna cared well-nigh the almost, and both of them wish they could go back to the offset ("SOS"').

At the beach, Harry asks Tanya what the father of the helpmate ought to be doing for Sophie's wedding. Tanya explains that for her part, her father gave her his advice and so paid. Sky'southward friend, Pepper, who had a fling with Tanya the night before, tries to peruse information technology further, but she rebuffs him ("Does Your Mother Know"), much to the entertainment of Ali and Lisa.

Sky finds out what Sophie has done in inviting Sam, Harry and Bill to the wedding. He accuses her of wanting a big white wedding but and then that she tin can observe out who her father is. He'due south very injure that she kept this plan a secret from him. He storms off just as Sam walks in. Sam tries to give Sophie some fatherly advice by describing his failed marriage ("Knowing Me, Knowing You lot"), but Sophie isn't consoled.

Harry offers to Donna to pay for the wedding, and they reminisce about their fling ("Our Last Summer"). Sophie arrives and Donna helps her go dressed. She can't believe her daughter is going to be a helpmate ("Slipping Through My Fingers"). Donna admits that her ain mother disowned her when she learned that she was meaning. They reconcile and Sophie asks her female parent if she will walk her downward the aisle. Sam arrives and tries to speak to Donna again, but she doesn't desire to run into him, and asks him to leave. He refuses, and a bitter confrontation ensues. Donna tells Sam that he broke her heart, presumably when she establish out he was engaged ("The Winner Takes It All"). Information technology emerges that the two withal dear each other dearly, albeit against Donna'south better judgment.

Rosie is making final preparations in the taverna when Bill arrives. He'south upset because he has received a annotation that Donna will be walking Sophie down the aisle. Bill reaffirms his commitment to the single life, but Rosie has go attracted to him, and urges him to reconsider ("Have a Chance on Me"). They are almost to have sexual practice in the taverna, but the guests arrive, leaving Rosie quite stunned.

The wedding begins, with Donna walking Sophie down the aisle. Before the priest has a chance to brainstorm the ceremonies, Donna acknowledges to anybody that Sophie's father is present. Sophie tells her mother that she knows about her father. Donna realizes that Sophie invited them to the wedding for that very reason. The consequence of Sophie's parentage is left unsettled, as none of them accept any thought whether they are actually her begetter. Everyone involved agrees that it doesn't matter which one of them her biological parent is, equally Sophie loves all three and they are all happy to exist "one-third of a begetter" and a role of her life at last. Finally, Harry, who has fabricated frequent references to his "other half" throughout the evidence, is revealed to exist in a committed gay relationship.

Suddenly, Sophie calls a halt to the proceedings. She isn't ready to get married and Sky agrees with her about not getting married. Sam seizes his take a chance and proposes to Donna in order to forestall the hymeneals preparations from going to waste product. He explains that he loved her, even when he left to become married. It is revealed that he called off the wedding and came dorsum to the island, only to be told that Donna was going out with another human (Nib). He went back, married his fiancée and had children but he got divorced. Surprisingly, Donna accepts ("I Do, I Do, I Practice, I Exercise, I Do"). In the finish, Sam and Donna are married, and at the finish of the dark, Sophie and Heaven depart on a circular-the-globe tour ("I Have a Dream").

Finale and encore [edit]

After their final bows to the audience, the ensemble performs a reprise of "Mamma Mia". A reprise of "Dancing Queen" follows, during which Donna, Tanya and Rosie are revealed wearing brightly colored ABBA inspired costumes. The cast ends the finale with "Waterloo", during which Sam, Bill, and Harry join the rest of the cast onstage in brightly colored costumes that friction match the leading ladies. The Dynamos and the dads oftentimes invite the audience to clap, dance, and sing forth during the finale.

Musical numbers [edit]

Encore

  • "Mamma Mia" - Company
  • "Dancing Queen" - Donna, Tanya, Rosie and Company
  • "Waterloo" - Company

Notes on the music [edit]

During the preview period in London, the musical had the vocal "Summertime Night City" simply afterward the prologue. The "Summer Night City" scene was a wedding rehearsal and during the song, Ali, Lisa, Tanya, and Rosie arrived on the isle. The song was removed, although a small instrumental office of it remains as underscoring to connect the end of "The Winner Takes It All" and "Have a Chance on Me". Several lines of "Summertime Night City" are also heard in the "Entr'acte".

Donna hums a few lines of "Fernando", when she repairs the doors of the taverna simply earlier she sees her three one-time lovers.

The vocal that Sky briefly sings before starting "Lay All Your Dearest on Me" varies from one production to some other, including "Male monarch Kong Vocal", "Summertime Night City", "Dum Dum Diddle", and "She'south My Kind of Girl", a Björn & Benny song.

The wedding march that is played as Sophie walks downwardly the aisle is a slower arrangement of "Dancing Queen".

The creators also intended to include "Only Like That", an unreleased ABBA song recorded in 1982. The song was apparently dropped just before the first public previews in March 1999, though it was listed in the plan available during the preview period.

The terminal 3 songs, performed as an encore/finale by the whole cast are: "Mamma Mia", "Dancing Queen" and "Waterloo". The version of "Mamma Mia" used in the encore/finale is sung by the Company. The finale song Mamma Mia has been extended in theatres where Donna and the Dynamos had to get downstairs for taking the stage lift in Dancing Queen. Then, during the intro of "Dancing Queen", Donna, Tanya and Rosie join the Company (as the girl-power ring "Donna and the Dynamos", wearing ABBA'southward 1970s-style colorful and flashy costumes). Sam, Bill and Harry join them during Waterloo, wearing male versions of the girls' ABBA'southward costumes. The Encore is included on the 5th Ceremony Cast Recording (commemorating said anniversary for the Broadway production).

Principal roles and casts [edit]

Character Original West End bandage Original Broadway cast Notable subsequent performers in noteworthy phase productions
Donna Sheridan Siobhán McCarthy Louise Pitre Lisa Brescia, Carolee Carmello, Linzi Hateley, Annette Heick, Dee Hoty, Beth Leavel, Julia Murney, Mazz Murray, Jennifer Nettles, Nina, Michele Pawk, Dianne Pilkington, Sally Ann Triplett, Willemijn Verkaik
Rosie Jenny Galloway Judy Kaye Lea DeLaria, Ann Harada, Catherine Russell
Tanya Louise Plowright Karen Mason Tisha Campbell, Mazz Murray
Sam Carmichael Hilton McRae David West. Keeley Jaime Camil, Patrick Cassidy, Paolo Montalbán
Bill Austin Nicolas Colicos Ken Marks Mark Gillis, Steven Weber
Harry Bright Paul Clarkson Dean Nolen Hamish Linklater
Sophie Sheridan Lisa Stokke Tina Maddigan Christy Altomare, Dove Cameron, Erika Henningsen, Carrie Manolakos, Suzie Mathers
Sky Andrew Langtree Joe Machota Corbin Bleu, Raza Jaffrey
Pepper Neal Wright Marker Price Payson Lewis
Eddie Nigel Harman Michael B. Washington Rodd farhadl
Ali Eliza Lumley Sara Inbar Charlotte Mary Wen
Lisa Melissa Gibson Tonya Doran Tiana Okoye

Film adaptations [edit]

Mamma Mia! was adjusted as a pic, produced by Judy Craymer and Gary Goetzman, written by Catherine Johnson directed past Phyllida Lloyd and with Tom Hanks, Rita Wilson, Björn Ulvaeus, and Benny Andersson every bit executive producers. Meryl Streep stars as Donna Sheridan and Amanda Seyfried every bit Sophie and Pierce Brosnan as Sam Carmichael. The motion-picture show also features Christine Baranski, Dominic Cooper, Colin Firth, Stellan Skarsgård and Julie Walters. It premiered July 18, 2008, in the United states of america. About of the songs remained intact with the exceptions of "Nether Attack", "One of The states", "Knowing Me, Knowing You", and "Give thanks You for the Music". "Knowing Me, Knowing You" was used as the hymeneals music and "Thank You for the Music" is sung during the second half of the end credits. The get-go one-half is occupied with a "Dancing Queen" reprise and "Waterloo", with a "Mamma Mia" reprise and "I Have a Dream" sung before the credits (though the latter is sung equally Sophie mails the invitations at the offset of the film). "When All Is Said and Done", a song not used in the musical, was added for the film sung by Sam, Donna, and the company. "Our Last Summer" was used before in the movie, with Sophie, Neb, Sam, and Harry singing it. "The Name of the Game", while filmed, was subsequently edited out of the motion-picture show for the final cutting. The song is included in full on the motion flick soundtrack – an abbreviated version of the vocal and scene appear on the DVD/Blu-ray equally a supplement. In addition, "Thank Y'all for the Music" is used every bit a hidden track, and is performed by Amanda Seyfried.

A sequel to the flick titled Mamma Mia! Here Nosotros Get Once more was released in 2018. Information technology tells the story of how Donna met each of the 3 men who are potentially Sophie'due south begetter. "I of Us" and "Knowing Me, Knowing You" are both included in this film.

Mamma Mia! The Party [edit]

Following its premier in Stockholm in 2016,[49] Björn Ulvaeus appear that this immersive theatrical and dining experience, inspired by Mamma Mia!, would open at The O2 Arena in London in Spring 2019. The specially adapted venue is set up in a Greek taverna on the island of Skopelos and features live musicians and real Mediterranean nutrient.[50]

Awards and nominations [edit]

Original West End product [edit]

Year Award Anniversary Category Nominee Result
2000 Laurence Olivier Award Best New Musical Nominated
Best Actress in a Musical Siobhan McCarthy Nominated
Best Functioning in a Supporting Role in a Musical Jenny Galloway Won
Louise Plowright Nominated
2002 Grammy Award Best Musical Theater Album Nominated

Original Broadway product [edit]

Year Honour Ceremony Category Nominee Event
2002 Tony Award Best Musical Nominated
Best Book of a Musical Catherine Johnson Nominated
Best Functioning by a Leading Actress in a Musical Louise Pitre Nominated
All-time Performance by a Featured Extra in a Musical Judy Kaye Nominated
Best Orchestrations Benny Andersson, Björn Ulvaeus and Martin Koch Nominated
Drama Desk Award Outstanding Actress in a Musical Louise Pitre Nominated
Outstanding Featured Actress in a Musical Judy Kaye Nominated
Karen Mason Nominated

Original North American tour [edit]

Year Award Anniversary Category Nominee Result
2003 Helen Hayes Accolade Outstanding Non-Resident Production Nominated
Touring Broadway Award All-time Musical Score Benny Andersson and Björn Ulvaeus Won

Response [edit]

Box role and business [edit]

On May xv, 2005, Mamma Mia! surpassed the original Broadway runs of The Audio of Music, The King and I, and Damn Yankees with 1,500 performances.[24] On March 6, 2014, it surpassed Rent to become the 8th longest-running Broadway musical and ninth longest-running evidence of all fourth dimension with five,124 performances,[51] [52] and then surpassed Beauty and the Beast'due south 5,462 performances that same year, on December xiv, to become Broadway'south 7th longest-running musical and 8th longest-running show.[53] The Broadway run ended on September 12, 2015, with its 5,758th performance, and was passed two years afterward (August 16, 2017) by Wicked to move one spot downward in the list of longest-running Broadway shows.[54]

When Mamma Mia! opened in Russia, it received a very positive response.[55] Every bit of January 2008, Mamma Mia! became the longest daily running bear witness in the history of Russian theatre.

Thematic analysis [edit]

Mamma Mia! does not simply heighten a nostalgic and emotional reactions to the ABBA fans,[56] it has too been celebrated for its feminist overtones. The musical features strong female protagonists living in a potent female-power community.[57] The theme of single maternity breaks the family stereotype of a child being raised by both parents past showing a unlike perspective of a family unit raised single-handedly by a mother, to bear witness that at that place tin can still be happiness and love. Having Donna, her two good friends and her daughter, Sophie as the main strong female characters of the musical, it can exist seen as an empowerment for women as it celebrates and caters to the rise in liberation of female in the gild,[58] female sexuality,[59] refuses to shame Donna for her promiscuity,[60] and because it asserts that women should prioritise following their goals and enjoying their youths over matrimony.[61] It also celebrates female friendship,[62] and undermines the importance of fathers in women's lives, prioritising self-actualisation and the function of the mother instead.[63] Librettist Catherine Johnson manages to express these themes through her transformation of ABBA's music, as she turns these somewhat stereotypical songs into empowering ones past having characters of different genders sing them.[64]

Come across also [edit]

  • EC1835 C cut.jpg 1990s portal
  • Abbacadabra, another musical based on the songs of ABBA

Farther reading [edit]

  • George Rodosthenous: Mamma Mia! and the Aesthetics of the Twenty-First-Century Jukebox Musical. In: Robert Gordon (ed.), Olaf Jubin (ed.): The Oxford Handbook of the British Musical. Oxford Academy Press, 2017, pp. 613–632
  • Malcom Womack: Thank Yous For the Music: Catherine Johnson'due south feminist revoicings in Mamma Mia!. In: Studies in Musical Theatre, volume 3, no. 2, November 2009, pp. 201–211
  • Jana B. Wild: On a Romantic Island: Shakespeare and Mamma mia. In: Multicultural Shakespeare: Translation, Appropriation and Performance, 2019, pp. 151–161
  • Naomi Graber: Memories that remain: Mamma Mia! and the disruptive potential of nostalgia. In: Studies in Musical Theatre, book ix, no. 2, June 2015, pp. 187–198
  • Elaine Aston: Work, Family unit, Romance and the Utopian Sensibilities of the Chick Megamusical Mamma Mia!. In: A Good Dark Out for the Girls. Palgrave Macmillan, London, 2013, pp. 114–133

References [edit]

  1. ^ "Facts and figures" judycraymer.com, Retrieved 17 October 2019
  2. ^ "Mamma Mia! West Cease celebrates 9000 performances today". britishtheatre.com.
  3. ^ a b c d Craymer, Judy (Oct 2005). "A Truly Original Musical". Souvenir Brochure.
  4. ^ George Rodosthenous (2016). "Mamma Mia! and the Aesthetics of the 20-Starting time-Century Jukebox Musical". In Robert Gordon; Olaf Jubin (eds.). The Oxford Handbook of the British Musical. Oxford University Press. p. 625. ISBN9780199988761.
  5. ^ Winship, Frederick Grand. (Nov 1, 2001). "Mamma Mia: 'Cats' yields to ABBA". UPI.
  6. ^ a b Simon, John (October 29, 2001). "Greek to Me". New York Magazine.
  7. ^ "Westward End'due south Mamma Mia! Volition Move to the Novello Theatre". BroadwayWorld.com.
  8. ^ 'Mamma Mia' listing london-theatreland.co.united kingdom, accessed February 6, 2010
  9. ^ " 'Mamma Mia!' review", Billboard, Apr 10, 1999, accessed February vii, 2010
  10. ^ "MAMMA MIA! returns to London's West End, with full cast appear". Bestoftheatre.co.uk.
  11. ^ "Mamma Mia! Reopens in London August 25". playbill.com.
  12. ^ Winn, Steven. "Mamma'south' a guilty pleasure for ABBA fans despite its weaknesses", The San Francisco Chronicle, Nov 18, 2000, p. B1
  13. ^ "Time Out; Fyi", Contra Costa Times (California), December thirty, 2000, p.D01
  14. ^ Welsh, Anne Marie. "Pop musical takes a adventure on Abba, and it works", The San Diego Union-Tribune, March one, 2001, p. E2
  15. ^ "B.O. off; 'Monty' suits upward", Variety, Legit Grosses; Road; June 4–10, 2001, p. thirty
  16. ^ "Broadway's 'Mamma Mia!' Volition Transfer to The Broadhurst Theatre" playbill.com, Retrieved 18 April 2013
  17. ^ " 'Mamma Mia!' to Play Last Performance at Wintertime Garden Theatre on Oct nineteen; Begins at Broadhurst on November 2" broadwayworld.com, Retrieved xv July 2013
  18. ^ "Broadway Record-Breaker 'Mamma Mia!' to Close" playbill.com, Apr 9, 2015
  19. ^ "Broadway's Mamma Mia! Volition Close Later Than Expected" playbill.com, Apr 21, 2015
  20. ^ "Mamma Mia! opens at Toronto's Purple Alexandra" playbill.com, 23 May 2000
  21. ^ "Long-running Toronto Mamma Mia! to close" playbill.com, 18 March 2005
  22. ^ Weatherford, Mike. "Musical 'Mamma Mia!' rate high in camp value", Las Vegas Review-Journal, 21 February 2003, p. 4J
  23. ^ Gans, Andrew."Vegas Mamma Mia!, with Johnson, Extends to Jan 2009" Archived 2012-10-17 at the Wayback Automobile. Playbill. 7 January 2008
  24. ^ a b Craymer, Judy; Björn Ulvaeus; Benny Andersson (2006). Mamma Mia! How Can I Resist Y'all?. Littlestar Services. ISBN0-297-84421-0.
  25. ^ "'Mamma Mia!' closes in less than three months at Tropicana". LasVegasSun.com. 2014-07-22. Retrieved 2017-02-xviii .
  26. ^ "Mamma Mia! Tour: First National". Net Broadway Database. Retrieved July ane, 2019.
  27. ^ "Mamma Mia! Tour: Second National". Internet Broadway Database. Retrieved July 1, 2019.
  28. ^ "Complete Casting Announced for Farewell Mamma Mia! Tour". Playbill. September vii, 2016. Retrieved July ane, 2019.
  29. ^ "Mamma Mia! to conclude farewell tour at the Fabulous Fox" broadwayworld.com, June xiii, 2017
  30. ^ Oliver Oliveros (2012-01-25). "Mamma Mia! In Manila Extends Till two/19". Broadwayworld.com. Retrieved 2014-06-04 .
  31. ^ "Mamma Mia! will be staged at the CCP from Jan 24-February 12, 2012 | PEP.ph: The Number One Site for Philippine Showbiz". PEP.ph. Archived from the original on Apr 17, 2016. Retrieved 2014-06-04 .
  32. ^ "Mamma Mia! - oficiální spider web muzikálu".
  33. ^ "Archived copy". Archived from the original on 2015-03-eighteen. Retrieved 2015-03-x . {{cite web}}: CS1 maint: archived copy as championship (link)
  34. ^ duka-master. "Mamma Mia!".
  35. ^ "STA: 5 Beogradu drevi premiera muzikala z West Enda Mamma Mia!". world wide web.sta.si.
  36. ^ "Mamma Mia!". Festival Ljubljana.
  37. ^ jorge (22 June 2015). "Ellos estarán en el musical 'Mamma mia'". Panamá América.
  38. ^ Mamma Mia! aussietheatre.com.au
  39. ^ "Mamma Mia! Cast and Bout Dates Announced - Stage Whispers". www.stagewhispers.com.au.
  40. ^ Newsroom, Theatre People (18 June 2018). "Helpmann Laurels nominations announced!".
  41. ^ Mamma Mia! hollywoodbowl.com
  42. ^ [i] nova-scena.sk
  43. ^ "Etusivu – Mamma Mia! Musikaali". www.mamma-mia.fi (in Finnish). Retrieved 2017-11-30 .
  44. ^ "Mamma Mia! de musical". www.phase-entertainment.nl (in Dutch). Retrieved 2018-04-nineteen .
  45. ^ Wood, Ximón. "Mamma Mia!". Eastward West Players . Retrieved 2019-07-15 .
  46. ^ a b Ramos, Dino-Ray (2019-05-28). "East West Players Asian-Led Production Of 'Mamma Mia!' Puts Inclusive Casting Center Stage". Deadline . Retrieved 2019-07-15 .
  47. ^ "Mamma Mia! The jukebox Abba musical returns, to Due east Due west Players". Stage Raw – Arts in L.A. – Served Fresh. 2019-05-28. Retrieved 2019-07-15 .
  48. ^ Premier. "Mamma Mia! The Global Smash Hitting". mamma-mia.com . Retrieved 2019-06-24 .
  49. ^ "Mamma Mia! The Party is heading to The O2 - The O2". www.theo2.co.uk.
  50. ^ "Immersive Mamma Mia! eating house experience will open at the the[sic] O2 in London". Playhouse.press . Retrieved 2018-09-xi .
  51. ^ Gans, Andrew. "Mamma Mia! Becomes Ninth Longest-Running Show in Broadway History March 6" Archived 2014-03-07 at the Wayback Auto Playbill.com, March 6, 2014
  52. ^ Gans, Andrew (2008-09-04). "Mamma Mia! to Go 16th-Longest Running Show on Broadway". Playbill, Inc. Archived from the original on 2008-09-06. Retrieved 2008-09-08 .
  53. ^ Levitt, Harvey (2014-12-thirty). "Mamma Mia! Overtakes Beauty and the Fauna as 8th Longest-Running Show on Broadway". Theater Mania. Retrieved 2016-11-14 .
  54. ^ "Wicked Surpasses Mamma Mia! as 8th Longest-Running Testify in Broadway History". Broadway Globe. 2017-08-14. Retrieved 2017-ten-14 .
  55. ^ Brown, Isemene. "Mamma Mia! Moscow falls for Abba." The Daily Telegraph. eighteen Oct 2006. Retrieved on 29 Oct 2011.
  56. ^ Hamilton, Kathy; Wagner, Beverly (2011-12-05). "An exploration of spectacular consumption at the movies: Mamma Mia!". Periodical of Customer Behaviour. x (iv): 375–390. doi:ten.1362/147539211x13210329822626. ISSN 1475-3928.
  57. ^ Bilbao, Diana (2011-02-sixteen). Female Subjectivity and Feminist Aesthetics in Revisions of the Maternal Melodrama (Thesis). Mountain Holyoke College. hdl:10166/726.
  58. ^ Graber, Naomi (2015-06-01). "Memories that remain: Mamma Mia! and the confusing potential of nostalgia". Studies in Musical Theatre. nine (2): 187–198. doi:10.1386/smt.9.ii.187_1. ISSN 1750-3159.
  59. ^ Rodosthenous, George (2016). "Mamma Mia! And The Aesthetics Of The Twenty-First Century Jukebox Musical", in "The Oxford Handbook of the British Musical", eds. Robert Gordon and Olaf Jubin, Oxford University Press, p. 622.
  60. ^ Cox, Gordon (September 3, 2015). "Mamma Mia!' Closing: Broadway's Female-Driven Blockbuster". Variety . Retrieved May 10, 2018.
  61. ^ York, Ashley Elaine (2010). "From Chick Flicks to Millennial Blockbusters: Spinning Female-Driven Narratives into Franchises", The Periodical of Popular Culture, 43(1), p. 11.
  62. ^ Barnes, Grace (2015). "Her Turn on Phase: The Role of Women in Musical Theatre", McFarland & Company, p. eighty.
  63. ^ Primal, Kristi Pope. "Female parent? Daughter? Dancing Queen?: Embracing a conflicted Feminist vision in Mamma Mia!" (PDF) . Retrieved May ten, 2018.
  64. ^ Womack, Malcolm (2009). "'Thanks For the Music': Catherine Johnson's feminist revoicings in Mamma Mia!", Studies in Musical Theatre, 3(2), p. 201.

https://www.ibdb.com/broadway-production/mamma-mia-12925#OpeningNightCast

External links [edit]

  • Official website
  • Mamma Mia! at the Internet Broadway Database

fitchetttram1965.blogspot.com

Source: https://en.wikipedia.org/wiki/Mamma_Mia!_(musical)

0 Response to "Mamma Mia Here We Go Again Features Somgs From"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel